Sammenlign produkter

18211
18596
5032003
600511
600520
Produktnr.
18211
18596
5032003
600511
600520
Beskrivelse
1/2 scale wooden violin bow w/ horsehair.
Pins for acoustic guitar bridge, plastic, white finish


The ingenious idea behind this pick is to take a standard 351 style pick and cut out
a star shape in the middle. The result? A pick that's easier to grip and has less slip, 
giving you more control. 

SHUBB C8b Partial Capo Drop D

(plain brass, original design)

Model C8 and C8B
Skips the sixth string (low E) and covers the other five, emulating a drop-D tuning.

Applied from above the neck (from the bass side), it cleanly skips the bass string and 
centers solidly on the neck while capoing the other five strings. While it is possible 
to accomplish the same thing on many necks using our one of our regular capos, 
they need to be applied from the treble side, off-center to avoid the bass string. 
Many users prefer to apply the capo from the bass side. This capo is designed to be 
applied from the bass side, with a step built in to skip over the bass E string, 
and it centers properly for improved stability.

SHUBB C1k CAPO Stålstr. Black

Steel String Guitar
fits most acoustics and electrics

Capo Noir now includes the design features previously available only on our stainless steel models!

• Roller design - smoother action, superior geometry, reduced wear
• Rounded edges - softer to the touch
• Contoured lever - easier to use

 	
For years our most commonly requested combination of features has been "can I get the Shubb capo in 
black with the roller?" Well, now you can.

Machined of brass and plated in black chrome, this stunningly beautiful capo will be the
choice of anyone who prefers an elegant and inconspicuous look onstage or off. 
Perfect for instruments with black hardware or any dark finished instrument, and a must 
have for anyone who likes the stealth look!
 
Roller mechanism
The roller mechanism equalizes the dropoff across the full range of the capo.
Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward 
the center curve of the middle piece of the capo as it is tightened - so it does not move further past 
center when it is set tighter. This maintains a relationship between the moving parts that results in the same, 
ideal amount of dropoff at any point within the capo's working range.
So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... 
and on different parts of the same neck.